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The series works on network television because of its high-stakes plot and thriller pacing, Salke says. “The truth is, if you’re going to do it, why not take it to a place where you can get the widest audience?” says Goldsmith-Thomas, noting the “very cable mentality” of the network’s chairman, Bob Greenblatt. “The best movies are on television, the best characters, the best writers.”ĭespite the show’s cable-ish themes, the team brought it to NBC first. “I said, ‘Don’t look at the medium, look at the role,’” Goldsmith-Thomas recalls. Lopez was at first involved only as a producer, and it took some effort to get her to play Harlee. “I couldn’t decide if they were good or bad, and I realized what they were was human.” Lopez’s producing partner, Elaine Goldsmith-Thomas, first read the pilot script written by Adi Hasak (“3 Days to Kill”) three years ago and was struck by “how complicated the characters were,” she says. In a show of confidence, the network has given “Shades of Blue” a spot following “The Blacklist” on Thursday nights, where it will settle into its regular 10 p.m. “It was worth it in the end to be able to let the show have a process that was more thoughtful,” Salke says. This created minor setbacks - for instance, the network had no clips to show advertisers at its upfront presentation in May - but it allowed showrunner Jack Orman and his staff time to write most of the 13 episodes before filming began, a luxury rarely afforded in broadcast television. That’s the mentality that I have to have, I can’t get nervous or scared,” Lopez says of her intense schedule, adding, “but I’m overwhelmed most of the time.” As if on cue, Lopez’s 7-year-old twins bound noisily into the trailer and enthusiastically greet their mother.īypassing the traditional pilot process, NBC ordered “Shades of Blue” directly to series in February 2014, but filming did not commence until mid-2015 in order to accommodate Lopez’s jampacked schedule.
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“I have to approach this like I’m going into the biggest marathon race of my life and I’m going to win. It’s also just one of three major projects she’s launching this month, in addition to her judging gig on “American Idol,” which began its final season on Wednesday, and a residency at Planet Hollywood in Las Vegas beginning Jan. The show is the first regular series role for Lopez, who had guest spots on such dramas as “South Central” early in her career before moving into film and music. We’re all trying to do our best but we all make dumb choices at times.” “It’s a character piece about human nature.
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There’s great stuff on network television but TV has such a high bar right now,” Lopez says in her trailer as the fourth hour of “Today” plays silently on a flat-screen TV. “You’re competing with cable and cable is so gritty. NBC is betting that a glossy megastar - albeit one sporting sneakers and the odd dog-doo stain - will help attract viewers to this darker fare. Opening with a scene in which Harlee’s partner accidentally shoots and kills an unarmed man, “Shades of Blue” also asks difficult but timely questions about police misconduct. But when Harlee is caught soliciting a bribe, the FBI pressures her into becoming an informant, pitting her against her work family. She and her fellow detectives are enabled by their boss, the quietly terrifying Matt Wozniak (Ray Liotta), who uses the mantra “the greater good” to justify a wide array of malfeasance. A struggling single mom with a teenage daughter, Lopez’s character is perfectly willing to accept kickbacks to supplement her income. For NBC, “Shades of Blue,” whose two-hour premiere is directed by Oscar-winner Barry Levinson, allows the broadcast network to dabble in the kind of morally ambiguous tales more often found on cable.